Business strategy

Ben Watkins: make people care about your business

TV showrunner Ben Watkins explains how to make people care about your business and choose the details that keep a pitch interesting.

Listen to the audio explanation

8 min

Its own script, written for listening.

Most people try to win arguments with logic, but a classified document once revealed a much more uncomfortable truth: humans actually make their biggest decisions based on emotion.

Editor's note

Why this matters now

Ben Watkins, the television creator and showrunner, asks a question that product pitches often leave unanswered: why should someone care what happens next?

His interview with Tiffany K. Guillen gives attention only the first part of the job. A story needs emotion, something to learn, and a reason to keep listening. A surprising opening can earn a few seconds. It still needs to lead somewhere.

The advice I would try first is his point about omission. A founder knows how every feature works and how every decision was made. That knowledge can bury the one detail a customer needs to hear.

The source

What it says

Distilled from the original. The notes above and below are the editor's own.

Start with somebody who wants something

Watkins describes character, circumstance, and content as ingredients of a story. The audience needs a person to follow and enough context to understand what is at stake.

For a business pitch, his logline exercise is to identify the customer, their goal, and the obstacle. That gives a listener a situation they can picture before the pitch gets into how the product works.

His 4 pillars

The first is attention. Surprise, an emotional opening, or a precise call to a particular audience can make someone listen.

Then comes emotional investment. What happens to the person in the story has to matter. Teaching adds something the audience can take away. Anticipation gives them a question they want answered.

These are Watkins's working principles as a storyteller. His claim that purchases depend on emotion includes a recollection of a classified document he encountered while researching Burn Notice. The document is unavailable here. That anecdote supplies no independently checkable evidence for the claim.

Decide what to leave out

Watkins distinguishes information that moves a story forward from details that can wait. Giving the audience every explanation immediately can remove their reason to ask another question.

In a pitch, the listener's question is useful feedback. It shows which part of the story they have followed and what they need next. A prepared speaker can expand that detail without starting the whole explanation again.

He also talks about reducing the amount a potential partner has to imagine. A prototype, an audience, or a piece of finished work makes a proposal easier to assess. Producing that proof costs time and money, and his own experiences include the financial risk of acting before a deal is secured.

Editor's note

What to do with this

Try reading the opening of your pitch to someone who has never seen the product. Stop before the feature list and ask what they want to know next.

If they cannot tell you who the customer is or what the customer wants, the missing detail belongs earlier. If they ask a good question, you have a place to continue. This is also a cheap test of whether a clever opening actually carries the story.

Explore The Anatomy of a Dream feature.

The original

Strategic Storytelling Expert: Build Your Million-Dollar Story in 90 Minutes

The Anatomy of a Dream · 30 June 2026

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